Pages

Showing posts with label broadsides. Show all posts
Showing posts with label broadsides. Show all posts

Wednesday, August 22, 2012

Hand Set at UNSW Canberra

I just realised that I haven't put this up here:


This is my exhibition, up until the 10th of September at the UNSW Canberra Library (aka ADFA) and I'm also giving an artist's talk this Saturday (25th) at 2pm if you're around and interested in hearing (as opposed to reading) the stories behind the work.

Monday, April 02, 2012

art attacks

I've been trying to write a blogpost since Saturday, but my weekend and early week just keep going and going faster and faster until here I am, and it's lunchtime on Wednesday. My art attacks, let me share you them.

Contents
Friday: Robert Guth at CCAS
Saturday: Material World at ANCA, plus some jazz
Sunday: Guerrilla printing day with Angela
Monday: Edible Books & farewell Lynda
Tuesday: Running away with ourselves
Wednesday: Remember to breathe

Friday
I'm actually not much of a one to go out on a friday night except to the movies but my ukulele group was invited to play towards the end of an end of a PhD event at the Canberra Contemporary Art Space. Plus it was a chance to catch up with lots of friends from art skool. So we went and won some odd things at the auction (and lost some wanted things that were outbid) and ate the yummy kangaroo doner kebabs and the endless hot fresh sugary donuts that kept pumping out of the donut machine and eventually the uke group found each other, dragged some chairs into a circle and had a play. We're not a very forward group, we fly under the radar a bit. No leaders, lots of attitude, unable to finish a song at the same time, but happy and jolly and with good taste in music. Well, we think we have. We played some Billy Bragg, Lou Reed, the Breeders, the Cure, Johnny Cash... you get the idea. Fairly Gen X, us. Most of the crowd had gone home by the time we started, but we played for the cleaner-uppers.

Saturday
A lovely visit to the Farmers Markets to buy yummies, into the studio for some Making time, and then my friend Angela Gardner arrived from Brisbane to spend a night and a day with me. Angela is a printmaker and poet, and byrd and I used one of her poems for our Demolition piece at Print Big a few years ago. We nattered for a while, and then it was time to go to ANCA for the opening of Material World, the show I'm in where we all had to make site-specific works with found objects. It as a wonderful opening, one of the best I've been to, mainly because it was low-key, friendly, there was heaps of food & wine and a band, and at 7.30 the lights were turned out for Earth Hour and we sat around the fires and looked at the candle-lit art and talked to each other happily. Narelle Phillips, one of the curators, writes up her experience here. She's an ace chick, and working with her is always a pleasure.

I enjoyed people's reaction to my work, once they found it. All you could see on the way in was the dangling bookmark ribbons, but if you went outside for a glass of wine and a bit of cheese and then walked back in, there it was, obvious as hell. Many people just assumed I'd filled the girder with intact books, because it looked very natural and un-artlike. Another friend came up to me and said that it frustrated him because there seemed to be no logic to the shelf arrangement. When I told him that it wasn't mean to be logical, and that the books were often in conversation with each other, he went back and spent TWENTY minutes looking at it. When he'd finished I asked if he was happier and he just shrugged, which I guess means NO, but... win for me, it engaged him for TWENTY MINUTES. How many other works of art can do that? Bless.

Afterwards we dragged ourselves away and over to a fabulous party close to our place, where some friends were farewelling their son as he flies to Berlin soon to complete a Masters in jazz. So there was more food and more wine and a stage where he and his mates got up and played a storm for us. We left at about 10.30, but apparently it all didn't finish until 3am. Who says Canberra is boring?

Sunday
Angela and I had a hope that we could have a play in the studio together before she left. She had a 5:15 flight, and in our favour was the change back from daylight saving, which gave us the feeling that we had an extra hour. We left the party at a decent time, despite the good jazz, to give ourselves a fighting chance of a solid day's play. So we awoke, and talked about texts for a while as BB made us a big cooked breakfast. We sat out the back and ate the big cooked breakfast and talked ideas and then hit the studio.

We worked with a new poem that had been brewing for a few weeks. I didn't grasp the meaning at first (sometimes takes a while with poems, don't you think?) which dismayed her, but once we discussed it and I talked about finding and creating a graphic starting point for the meaning, we were off. We set and printed an editioned letterpress broadside in one day! Mind you, the type is still sitting on my press today (I'll dismantle it once I finish typing); it was crazy fun. We're a good team: she arranged the wood type into cloud shapes while I tore up the paper (working out the dimensions as I tore, changing our minds once or twice) then I locked the wood type on the pressbed while she started setting the poem's text. She printed the embossed woodtype while I was her clean-hands assistant, then I set up the metal type while she put away the wood type and mixed the ink. We printed the last layer and finished with time to spare to look at a few other printed things and get to her plane. Phew! Here are a few photos:

cloudwood
Upside-down clouds!

emboss deet
Embossed clouds.

detail, pressbed
If we'd had more time I would have got this curve much smoother, but I did the best I could in a hurry.

swung weight
The final work, drying on the rack.

Angela on the press
Angela, working the press.

finished
Happy, tired ladeez.

Over at Angela's blog you'll see the same photos and similar words from a different angle. I'm glad she liked listening to Dig Music with me. I've become quite addicted to it, and yesterday came home to discover that I've won a double CD of blues & roots music in a small competition they were running. Yay!

Monday
As well as teaching my normal class, I'd wrangled the students into making some edible books as part of the annual International Edible Books Festival and bringing them in for a 'lunch'. It was pretty rough and ready, since neither Ingeborg (the other teacher) and I had time to organise plates or tablecloths or such things, but the works themselves were delightful, and the ones that could be eaten (some were hypotheticals) were delicious.

Bananabooks
I was very fond of these bananas. Have a look at my flickr site for the full range, many put a lot of effort into it. I loved being able to eat a miniature 'Animal Farm'!

Monday evening was spent, as usual, at my ukulele group, but this time we were farewelling a steadfast member who is moving to Melbourne. She is a beautiful singer, and there was much discussion about who could be 'the voice' now. We made her sing all 'her' songs in the songbook the group has compiled; she does a rendition of Joni Mitchell's 'A Case of You' that is almost better than the original and definitely better than any other cover I've heard. We also played 'Under the Milky Way Tonight' by the Church in honour of Jimmy Little, who'd died that day (or the day before?).

Tuesday
Tuesday I spent some time with a cousin of BB's, down for the Renaissance exhibition and when I dropped her at the bus back to Sydney, I kept going in to the uni and caught up with a dear friend to talk about life, the universe, and doing some work together. We had lunch and started talking about things that got very intense, and I finished by suggesting that we just drop everything for a few hours and go to the uni bar and play some pool. We giggled like schoolchildren as we played, completely invisible to the 20-somethings playing around us, except for the moment when T, a pool shark in her youth, got up on the table to do a particularly impressive backwards shot. That got their attention. It was tremendous fun and I went home afterwards feeling quite revived.

Wednesday


BB's lovely cousin took this photo of Padge.

So here I am, sitting in a quiet moment, ready to get back into the action again. More printing, some Folk Festivalling on Friday and then I'm going to the Blue Mountains for two days to celebrate a 50th birthday and to meet Dr Sister Outlaw's new kitten. I'm looking forward to Monday, pure sleep-in time, and maybe a movie date with my nice cooking man. Did I tell you that while Angela and I were printing, he was in the kitchen making cake, fig & pear paste, something else that I forget and spaghetti for dinner? My, this house buzzed last weekend.

Friday, March 23, 2012

Thursday, March 24, 2011

Putting it out there

Dear Jemal Sharah,

I would like to use your poem 'Revelation' for a letterpress broadside.

I have looked for you everywhere. I have written to your publishers, who say the rights have reverted back to you. I have googled you, found where you worked a year ago (Dili, Timor), tried to email you (it bounced back), emailed a colleague who might work near you (again, bounced back), so wrote to you via your employer (a very large government agency), but the letter came back with 'whereabouts unknown' on it. I have asked around, since you are very connected to Canberra, even found someone who has rented your house, but they do not know how to contact you directly.

I do not want to give up. All I can do is make the broadside, fully acknowledge you and the volume from which the poem comes, and hope that you surface and contact me to get your rightful dues: a fee, or a copy of the broadside, or a mix of both.

I will try to make it beautiful, and if it's any consolation, I won't be making any money from it, as it's being printed to raise money for a good cause.

Cheers,

&Duck

Postscript:

I love blogging. Jemal found me, we got in touch, I'm printing the broadside with a clear conscience. Results! Thank you, interwebs.

Thursday, December 02, 2010

Patronus

Caren

Here I am, venturing forth from my sickbed (well, sick house) to attend the ANU School of Art Patron's Day to pick out two interesting graduates for my Broadside Residency.

I'm standing in the main Gallery of the school, caught like a bug on a pin by Megsie from Glass Central Cenberra but the entire school is, for ten short days, a vast cornucopia of emerging art.

It's not a fabulous snap of me, but I thought I'd pop it here so that you can have a glimpse of the lovely little brooch that BB and B bought for my birthday. It's a tiny silver box with the sea inside it, beautifully modelled in perspective so that when you look in, you seem to be looking over the waves forever.

The brooch is by Jane Dodd, and we found it in a fab studio called Lure in Dunedin.

Straight after this I went home and had a nana nap. Looking at talent is exhausting.

Today I woke up to a fresh onslaught of head ache and sinus crappiness. I'm seeing the doctor this afternoon.

Two weeks out of the studio! What a waste of good free time. Bah.