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Friday, April 10, 2009

The National Folk Festival, 2009

It is a truth universally acknowledged, that not a single person at a folk festival can walk in a straight line. During the day this is because there are children to lunge after, or a hand-made organic fairy-wing stall to meander towards, and in the evening it is because of the vast quantities of stout or mulled wine consumed. I managed to walk from one end of the festival (from the Troubadour mulled wine bar) to the other (the Mary Poppins tribute heats at the Fitzroy pavilion) without spilling a drop of my hot red cupful, and considered it a miracle, mitigated by the fact that it was only my first cupful.

NFF moth

Sigh! another Canberra Autumn, another folk festival. This year I am determined to spend my mornings at my studio, hopefully working on wood engravings (I did this morning!) and the rest of the day at the festival. Usually it is hard to decide what to see when gigs conflict. This year I have decided to follow my bluegrass heart, and see things that I know are either bluegrass, or bluegrass-influenced. Plus the tribute concerts, which are a great way to sample a wide variety of festival acts. So far the stand-out tribute performer has been Anita GEORGE (sorry, got her name wrong for a day or so), who did a smokin', sassy, completely sexual blues rendition of A spoonful of sugar makes the medicine go down. Phwoar.

Tonight I caught a blackboard performance of Dev'lish Mary, four gorgeous women with talent to burn who are all in other bands but do this on the side when they get the chance. Tomorrow, once I've been to the studio (I know I keep saying this: it's for my benefit, not yours. I have to make sure I actually do it), I'm hoping to attend a bluegrass harmony workshop.

It rained a bit today, and it's meant to rain again later in the weekend. I don't think it's going to put anyone off. It's going to be an ace festival.

Wednesday, April 08, 2009

just putting something here for when I start the data projector :)

funny pictures of cats with captions

Another blues song day

Was woken up this morning,
By the feel of kitty feet --
I'd slept right through their breakfast,
They wanted stinky meat...

So they stomped,
And they moooaaaanned...
And they moooaaaanned...
And they stomped,

So I got up.

Sigh. I thought this week was going to be a doddle, especially with Easter at the end of it, but it's just getting crazier and crazier.

After I fed the kitties and let them out, I got a text message to remind me that I was supposed to be speaking to a group of Professional Practices students after work about how my artistic practice is informed or enhanced by my interaction on the internet. Ooh, yikes, I'd forgotten about that... and I have family coming for dinner! Ay yay yay.

Anyhoo, remembering that I have to do that means I've been sitting here all morning in between running after students (I'm also standing in for our normal printmaking technical officer while she's off in China, lucky lady), trying to muster my thoughts about you and I. 'You' being, yes, all of you, and all the wonderful experiences we've shared.

And I'm feeling guilty, because I haven't shared much more in the last XX number of months than jolly personal stuff and excuses for being busy. No lyrical waxings about the joy of using my hands in my making processes, or how much I dislike the cover of the new Steve Carroll book, or where I'm up to with my latest fine press book and its satellite exhibition... and for that, I apologise. I'm going to make a resolution here and now to write something decent at least once a week, and by that I mean 'professionally relevant'.

Next week I'm going to spend a few days in Bega with Colonel & Lady Duck (Bega readers, this is probably the only notice you'll get before I get there!), so I might spend some time then making a meaningful connection between a keyboard and my brain. I'm making this promise because that's connected to something I'm going to talk about this afternoon to a room full of glazed end-of-day eyes: one of the reasons why I blog is a desperate attempt to force myself into action, because if I tell people I'm going to do something enough times, I sort of have to do it. It doesn't always work, but it works more than fails, so I persevere.

Here's another thing I'm going to say out loud so that it happens: I'm going to have a good Easter break. It's going to be my mantra over the next few crazy days...

Oh -- and if you happen to read this today, and have anything constructive to add to my thoughts about internet enhancement of artistic practices, leave a comment!


PS: and after all that, I forgot to add this link to a blogpost by Jeff Peachey that I absolutely adore, read when it was first mounted, forgot about, and have now rediscovered. And have remembered to add. yay! As you were.

Sunday, April 05, 2009

Blogmeet of the century

Lightning trips by plane are always fun (as long as they don't get hit by lightning, a distinct possibility on Friday thanks to the freaky Melbourne storm) because they are so much like one of my favorite book genres, Portal Fiction.

Falling down rabbit holes, walking through a wardrobe of fur coats, discovering that a weird door in your bathroom leads straight into Pride and Prejudice, catching a large metal bird and finding yourself in a completely different city less than an hour later, what's the difference?

At the other end, a short drive into the city, was a tall 5-star hotel where we slept on the 47th floor overlooking (quite literally) half of Melbourne (thanks to a last-minute bargain via Zoe's cousin). Whisked to a Brunswick pub, we encountered a host of bloggers in a scenario not far removed from the Mad Hatter's Tea Party, presided over by Nabakov, who kept wickedly filling my wine glass every time I turned my head, so that it seemed to be magically self-filling, and I lost track of reality.

The next morning wasn't quite so magical. Our hotel deal included a lavish breakfast buffet that I couldn't even look at, let alone smell. Zoe managed a number of helpings, while I tried some fruit and something bready and then ran to hoik it all up again in the sink of what Nabakov had promised would be the most spectacular toilets in Melbourne. They were. The view, when I could look up from my chunks, was marvellous. Luckily no-one walked in on me as I admired it, doubled up and retching. I wasn't such a good sight.

The day did, fortunately, get a lot better. I managed not to lose my stomach lining on the train, and we met up with the lovely View from Elsewhere coming off the same train at our destination. She'd been up the front, and we the back, and we joined forces, all slightly head-sore (she'd been at the blogmeet too), to walk the long way around to the wedding.

Walking into Sills Bend the Second (a lovely retro house on the inner outskirts of Melbourne) was like walking into a fairyland: interesting people, lovely objects, and an atmosphere of general jollity and excitement. Laura and Dorian had spent much time in the garden, making it perfect for the event, and had sweated the smallest details: there was bunting hoisted around, small neat triangles of colourful patterned fabrics flapping jauntily in the breeze, there were gorgeous cushions scattered on the grass and retaining walls for folks to sit on. I was very grateful for the opportunity to sit through the ceremony, as you can imagine. I was also quite close to the ceremony, so I'm probably in many of the photos people took. Unfortunate, but ok, to answer Laura's request for permission...

If you click that link I just inserted, you'll also see better photos of the happy couple than I managed to take. Someone mentioned in the comments of that post that
It was [a] textbook how-to-have-a-wedding-that-actually-meant-something, you know, in these troubled times.


confetti / dress

And I agree. I have had two unusual weddings of my own, both of which were fantastic, and I know how much effort goes into making them unconventional. You have to not only struggle against the wedding each set of parents (and impending in-laws) want you to have, but you actually have to wrangle the celebrant away from the attitude that they know best just because it's their job and they do it every weekend. Watching both sets of parents at this particular wedding, I don't think L&D had much of a struggle (having been together long enough to have proof that nothing on this day would be 'normal'), but they did, I know, have to be firm with their celebrant. And he learned, and grew, just as my two celebrants did. He admitted as much during the ceremony.

It was so worth it. The poetry they read was meaningful, not platitudinous, and unusual. I was pleased to discover that reading 'Ithaka' by C.P. Cavafy doesn't evoke torrential rain, as it did when I read it at a friend's wedding years ago. The other poems all revolved around being in love while using public transport. The vows were sincere, provoking tears from nearly everyone.

The couple looked amazing, the (kitty) bridesmaids were nowhere to be found until much later in the afternoon, but the chooks were very happy, crawwwwwing to themselves amidst many admirers:

chooks @ sills bend

For the halibut, here's a happy shot of their wedding feast:
nom4chooks

Our wedding feast was delicious, catered by Asylum Seeker Resource Centre Catering. Amazing vegetarian finger food and such friendly service, they made the day really wonderful.

Laura and Dorian had rearranged their house (and probably stashed a lot of stuff under the house) to make a number of social areas for the wedding horde. Bloggers attending soon found nooks to gather, and we had a lovely time either getting acquainted or re-acquainting ourselves with each other's physical appearances. It never ceases to amaze me how strange it is to see someone whose inner workings you know so well. In the case of Pavlov's Cat, I had an overwhelming sense of familiarity, something I really wasn't expecting, and felt quite happy about. I forgot to mention to her how I haven't stopped giggling about the treadmill cats, they haunt me at odd moments of the day. Well, now you know, Pav, thanks.

I didn't, thankfully, make a fool of myself, something I am wont to do -- at least I don't think I did. I didn't drink any alcohol, which decreases the chance of my usual foot-in-mouth issue, and not once did I call the day a 'funeral', something I often do (and did all through my first wedding, ominously). I did succumb to my habitual urge to take photos of feet, as you can see above. And TimT and I had a wonderful time playing with the origami squares and pipe-cleaners thoughtfully laid out for children like us.

By the end of the day the bloggers outnumbered the family, and we stayed and stayed, forcing L & D to open some of their presents, talking and talking and talking, and admiring the cats when they finally showed their beautifully collared necks.

Zoe and I finally went off to the house of a friend of mine (M) who conveniently lives one suburb away from the nuptuals; we stopped at a petrol station so that M could get petrol, and a beautifully lubricated Zoe wandered in to buy something while we waited. Five minutes later she came out, and the (white-haired, initially grump-looking) man behind the desk waved at us with gusto as we drove off. In that short time, she'd ascertained that he was being left by his wife, he has two children and she was a complete cow because he was so lovely. This morning she remembered none of it, not even the petrol station itself. And it was her turn to not want a lot of breakfast :)

The flight back, once we got to it (M doesn't do freeways, which was a bit painful for Zoe's head), was uneventful, but that journey back through the portal is always a bit sadder and quieter than the way in. Suddenly I was hurled back into routine, picking up child from father, preparing my class for tomorrow (on altered books). Sigh, back to normal. But all the better for having witnessed such an important, loving and life-affirming day.

I'd like to thank Tiger airways for being so cheap, Melbourne bloggers for being so hospitable, and Laura for issuing us with a golden ticket to magic-land. It was a wonderful weekend, and I wish them a happy marriage for ever and ever. They don't really need the wishes, they themselves are pieces of magic.

Friday, April 03, 2009

Blog meeting

So here I am, sitting in The Standard just off Brunswick Street, sitting at a table with a number of bloggers. Despite the huge storm today (that delayed our plan by two hours), there is no rain, and there is a ginger cat that prowls the pub and wood everyone. Auspicious signs for the wedding tomorrow.

I have, as you may be able to tell, quaffed a lot of verdello, compliments of Nabakov.

More soon!

-- Post From My iPhone

this weekend should be plenty of heaps exciting*

I'm downing tools to run away with Zoe to Melbourne for a weekend. The main purpose is to attend the lace-collared-kitty-&-chook-bedecked nuptuals at Sills Bend, but it will be nice to not rush between computer and educational facility for a couple of days.

I haven't spent a lot of time thinking about going away; I find at the moment that I am thinking coherently in 'chunks' of no more than four or five days ahead. I packed my bag thoroughly last night, but in the hour or so I have left before catching a lift to the airport, I will repack, as we are flying on an uber-cheap Tiger plane, trying to avoid paying extras like checked luggage, and I need to keep my wardrobe light and compact, not an easy thing to do when Melbourne is threatening four seasons in one weekend as usual.

I also haven't thought about social engagements; as a consequence I am allowing myself to float in Zoe's wash as she eagerly churns to various blogmeets that have been put together over the last few weeks. If you are in Melbourne, and are keen to join in, feel free to message me later today (contact number here) to find out which pub we're at for the majority of tonight. We're starting at one, moving to another, and ending up for dinner goodness knows where. As I said, flotsam, me. Or am I jetsam? go here.

For what it's worth, Braidwood, Two Fires, last weekend, was great. I was on a Small Publishers panel with the sweet and articulate Alice Gage (Ampersand magazine, you know, the funky one with the Penguin tribute cover), the serious Stephen Mathews (print-on-demand guru, Ginninderra Press) and the personable Rob Riel (another print-on-demand guru, especially with poetry, as in Wagtail) and the whole lot of us were presided over by Finlay Lloyd publisher and artist Phil Day.

I felt a bit like I was in one of those Sesame Street clips that sing one of these things is not like the others. All the others were digital or off-set print publishers, fraught with commercial pressures, hell-bent upon getting new writing out there, everywhere, in an attractive and affordable manner. I, on the other hand, put out small editions, hand-crafted, with a vague eye to making money (something I have to address very soon) but focusing more on the object than the accessibility. However, the more we talked, the more we had in common. For example, Rob Riel has a similar interest to mine, of looking at Australia's poetic history, and rifling through the dross to find gems to republish. He now has a series of poetry reprints called Art Box, reproducing what he considers to be good out-of-print volumes. Is he creating a canon? I hope so, to some extent. I don't think Australia has one for poetry apart from Lawson-Paterson-Gilmore-insert names here-big gap-Wright-Murray :)

We talked a wee bit about design, a lot about accessibility, more about the Future of The Book, had some healthy interjections and questions from the audience, and I got to poke Phil with a stick a little bit, a beloved hobby of mine for years now because he takes it so well (we used to go to art school at the same time).

We also got to spend some time in the Braidwood Book and Print Room a not-to-be-missed experience for anyone who loves eclectic books, fab prints and works on paper, and a gorgeous setting. This is a bookshop that doesn't care that it lives in a small country town; it has a distinctly European sensibility and doesn't stock anything you'd expect to find. It's very easy to find: as you're travelling through the Braidwood town centre on the way to the coast/Batemans Bay, you turn left onto the highway, and not far along on your right is a blue house and a sign saying 'bookshop'. Enjoy.

Ooh, I'd better go and have some lunch and finish packing. Hopefully there'll be a bit of liveblogging happening throughout the weekend, maybe some twittering. Have a nice whatever you're doing, too. Plenty heaps of excitement, hopefully.









* A phrase I picked up on TripleJ on the way home from the Aged Poet's house today. I'd had enough words, wanted some music. But five minutes of whichever dumbed-down girlie DJ was on shift today made me switch off. I love JJJ music, hate the perceived need to sound like a dumb illiterate Aussie, which seems to be standard Yoof Rad'o policy these days. GAH.

Thursday, April 02, 2009

Oh yay

"Mum, you'll be happy to know I'm not playing Michael Jackson today"

[Opening bars of Hall & Oates' Maneater start up]

oh, yay.





Sorry. that's all I've got in me at the moment. Lots to tell you about, especially on the Two Fires Festival, but no time. Maybe I'll get to it later today, but so far my dance card is full. up.